Jamaica's longest-running and perhaps biggest female vocalist ever, Marcia began as a teenager in Coxsone's Studio One, racking up hit after hit, then joined with paramour Bob Andy as Bob & Marcia for the Top 5 UK pop hit "Young, Gifted and Black." She formed The I Threes to back Bob Marley's international tours and recordings from 1974-1980 and scored a massive international hit with "Electric Boogie" in the '80s. Despite a few '70s rasta tunes like "Stepping out of Babylon," she is known primarily for her strong, smooth-as-mousse love songs and captivating live performances.

-- Courtesy (Roger Steffens, All-Music Guide) --

Griffiths is arguably the most consistently successful female vocalist in the history of reggae music, having recorded in every one of the myriad of styles in Jamaican music, from ska through to an 80s rap crossover record. Her precocious talent was recognized very early by producers Coxsone Dodd and Byron Lee, who were competing for her father"s signature on a recording contract even before Marcia"s tenth birthday. Dodd was the winner because she "liked his vibes" and Dodd"s Studio One set-up was like a "musical college".

It was there that Griffiths achieved her first Jamaican number 1 in 1968 with the rocksteady hit "Feel Like Jumping", a record that can still fill dance floors. She had worked very closely with Bob Andy during this period and he had written many of her biggest hits for her. In 1969, they recorded, as Bob And Marcia, an interpretation of Nina Simone "s "Young, Gifted And Black" for producer Harry J., and their bright, lilting reading of the song touched a nerve with UK buyers, particularly among the reggae-obsessed skinhead audience. The popularity of the record ensured crossover success and it rode high in the UK charts in 1970 and became a hit all over Europe. Their follow-up, "Pied Piper", in 1971 was equally pop-oriented and another big hit in the UK. The duo toured extensively but both felt that there was very little financial reward during this period and they returned to Jamaica to reassess their respective careers.

Griffiths made some beautiful records for Sonia Pottinger "s High Note label and in 1975, she became one of Bob Marley "s I-Threes backing vocalists, along with Rita Marley and Judy Mowatt - recruited to fill the musical gap left by the departure of Bunny Wailer and Peter Tosh from the Wailers. For the remainder of the decade and on into the 80s she recorded and toured with Marley, still continuing with her solo career, but after Marley"s death in 1981, she returned to extensive recording as a solo artist.

Her "Electric Boogie" with Bunny Wailer was a hit in the USA in 1989 - seven years after it was recorded - and even inspired its own dance - "The Electric Slide". She continues to make records that matter.